Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Blooming Hill in the Middle of an Empty Field poster

Blooming Hill in the Middle of an Empty Field (2001)

The main and only heroine of the film is an actress. The screen shows her confession, filmed with a subjective camera. Anna leaves her husband, then meets another person, who, according to the plot, is her interlocutor. He — and with him the audience — will have to hear the love story of Anna and her relationship with her husband; get in touch with the subtle and complex inner world of a woman trying to find spiritual harmony. We will not see Anna's interlocutor on the screen, the camera acts in his role...
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The main and only heroine of the film is an actress. The screen shows her confession, filmed with a subjective camera. Anna leaves her husband, then meets another person, who, according to the plot, is her interlocutor. He — and with him the audience — will have to hear the love story of Anna and her relationship with her husband; get in touch with the subtle and complex inner world of a woman trying to find spiritual harmony. We will not see Anna's interlocutor on the screen, the camera acts in his role...

Rating:
Genre:Drama
Directed By:Andrey Eshpay
Written By:Andrey Eshpay
In Theaters:6/15/2001
Box Office:

Runtime:75 minutes
Studio: