By 1933, Prohibition has proven a booming enterprise, where average citizens break the law, hide in the shadows and operate at night. The new world order has even lined the pockets of corrupt cops like Jack Malone. He collects a 'luxury tax' from every bootlegger and scofflaw in the small town he has sworn to protect. While shaking down the newest speakeasy in the local underground, Jack and his men uncover a clan of vampires hell bent on taking over the town. Now Chesterfield, an ancient vampire, and his horde must hide their secret at any cost. The bloody result leaves several bodies and innocent townsfolk taken as lambs to await the slaughter. With nowhere else to turn, Jack joins forces with a busboy and a crazy preacher to save the town and make a final stand against Chesterfield and his vampires.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
Sam Levinson's latest film can't keep up with the excellence of its performances.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
