Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

A musical comedy based on several Damon Runyon short stories. When a bookie on the run, Robert 'Numbers' Foster, falls for a pretty country songbird, Emily Ann Stackerlee , he'll do anything to help her make it big -- including a stint in jail to pay for his crimes. But will the tough guy's sacrifice of the heart pay off when it comes to his girlfriend's singing career?
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
At this time, there are 29 films in the Marvel Cinematic Universe's epic multiverse of superheroes and villains. The MCU has become quite marvelous indeed, with Shang-Chi and the Legend of the Ten Rings as the newest one. There are so many interwoven stories, themes, character arcs, timelines, and dimensions! In order to keep track of the MCU saga and figure out what to watch when, here’s a list of those that have come out -- as well as what's coming up! With links to the Incluvie movie - plus related articles and Incluvie scores.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.