Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

In the fading rustbelt town of Redpatch, Ohio, nights feel longer, shadows heavier, and strangers never arrive without reason. After losing his father to a strange animal attack, burned-out diner manager Lamont Guest crosses paths with a mysterious drifter - the road-weary vampire slayer Belko - and soon finds himself drawn into battle against the ancient evil that's bleeding his hometown dry.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.