
Set in 1901, this period epic follows Willem Morkel, a Boer family man whose wife and son are murdered during the Anglo-Boer War. Captured as a prisoner of war, Willem must survive incarceration in the notorious St. Helena concentration camp and defeat the ruthless Colonel Swannell, at his own game—Rugby
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.