Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Blood Actually: A Murder, They Hope Mystery poster

Blood Actually: A Murder, They Hope Mystery 

It's Christmas and Gemma has hired a lovely cottage in a quaint village. Terry spots that the village has a Santa competition, but things take a dark turn as competitors start being killed off in a host of warped and festive ways.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


It's Christmas and Gemma has hired a lovely cottage in a quaint village. Terry spots that the village has a Santa competition, but things take a dark turn as competitors start being killed off in a host of warped and festive ways.

Rating:
Genre:Mystery, Comedy, Crime, Thriller, Horror
Directed By:Ed Bye
Written By:Jason Cook
In Theaters:
Box Office:

Runtime:90 minutes
Studio:

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones

Marion Ravenwood, the Unsung Hero of 'Raiders of the Lost Ark'

For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.

Matt Geiger