The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Eva Kovaks is the beautiful and mysterious seductress who is heading an international network of gorgeous women dealing in sexual blackmail and political payoff. Her targets are the international bigwigs whose decisions always shaft the world. Eva really doesn't like the men because she feels that "they think with their cocks and fuck anything that moves"!! She wants to expose these high powered members of the United Nations Security Council and their chauvinistic shenanigans.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
David Fincher is back in his playpen, with a dark and chilling thriller.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.