Blond at Both Ends (1981)

This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.

A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.

So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.

Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.

'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.

This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.