"Tow" Tells the True Story of a Woman Who Sued the System
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.

Two young people (Christina Silva and Takis Varlamos), living in a provincial town, fall in love with each other and are stolen. After a wild chase, the girl returns pregnant to her father (Theodoros Moridis), who removes the newborn, saying that she died in childbirth. The girl leaves for Athens where she marries a businessman (Lambros Konstantaras), but loses her eyesight in an accident. Her father, remorseful, investigates and discovers the child (Takis Vidos) and the woman, because of unspeakable joy, regains her sight.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
“Eleanor The Great” is a feel-good story that explores how we cope with grief and loss while educating us about the horrors of the Holocaust.