
During a holiday in Corsica, Lucie, a 13-year-old girl, meets Léo, a dehydrated boy who is always in need to be in the water, but Lucie fears the sea. Their teenagers’ games are immersed in an atmosphere of innocence and mystery.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.