
The film opens with images of a sorrowful young woman. The film concludes with images of a desperate young man fleeing into a jungle. In between, images that comprise a wealth of information, but there is still no clarity. Only the despair of the disappearance.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.