
In the underground parking lot of an office building, two security guards watch over beautiful cars. The parking lot is empty and the night may be long. To keep company, they talk about their philosophies, their wounds, their dreams. Vincent, the youngest, is convinced that he is living a great love story with a beautiful young woman whom he escorts each night to his car. But one does not fantasize with impunity, especially in an empty parking lot where dream and reality collide.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.