"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
If you remember the days of the 24 hour Overnight Challenge on YouTube, Secret Mall Apartment will tickle your nostalgia receptors.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?