
The very first shot of this film will make you want to order pizza. Just looking at Martino Paiva will have your pants on the floor and your phone in hand placing your order. From the moment he walks in on his first customers in their tight, white boxer-briefs to the moment the last wad is shot, you will wonder where to order from so you can relive this scene in the comfort of your own home. Alexander Pictures has done it again. He’s crossed the unbelievable hotness of big-dicked studs with the almost imaginable fucking of the pizza boy in a way that will make you mess your drawers. Just sit back and enjoy a slice of pie made as only Alexander could.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department