Daisuke Honda, a war photographer in Vietnam, meets Yuriko Sawanouchi, a stewardess on his plane back to Japan. After drinking with her at a Tokyo bar, he becomes involved in saving Yuriko from assassination by stylish, female ninjas. When trying to rescue Yuriko from kidnappers, Daisuke discovers a group of foreigners are hunting for a WWII-era treasure hidden on an island by Yuriko's father.
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
