A Killer's Hold on a City in 'Boston Strangler'
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.

Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.
Paul Thomas Anderson blends tragedy, comedy in 2025 epic, "One Battle After Another."
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.