'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

On 3 February 2020 BiS closed their first nationwide tour at LIQUIDROOM in Ebisu, Tokyo, and this is the whole of that final night. “LIVE DAM Ai” presents STAND BY BiS had opened in Sendai on 4 January and worked through eight cities and nine sold-out dates before arriving here. The third-generation line-up — Toggy, Ito Musensiteebu, Chantmonkee and Neo Trees — take the stage in mismatched camouflage and military surplus and start running with “LET'S GO Doumo”, barely pausing through “FOOL PROOF”, “KiSS MY ASS” and “TRAP”. Twenty-three songs and a little over two hours later, after encores of “BASKET BOX” and “BiS -Douyara Zombie no Odemashi-”, Toggy tells the packed floor that third-period BiS will stand at Budokan. The concert was carried live and exclusively on niconico that night, and was issued on Blu-ray six months later as the bonus disc of the first-press limited edition of BiS's major-label debut EP ANTi CONFORMiST SUPERSTAR.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
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