Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
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