A Useful Ghost: A New Modern Classic
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.

Sonia, a 12-year-old girl with albinism, comes from a poor family in a small village near Bengaluru. Her alcoholic father almost despises her for who she is, and her mother is helpless although well-intentioned. As she begins high school (8th grade), Sonia is introduced to a new school in the city with new classmates who not only discriminate against her for her appearance but are even hostile. Furthermore, the behavior of her teacher ASHWINI, who favors the best students and relegates the struggling students to the back rows, will only make her work more difficult since, due to her poor eyesight, the girl is unable to follow the lessons on the blackboard. Will she be able to find a way to live in peace with herself and with her surroundings?
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.