All Too Well: The Short Film and the Hysteria
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.

An ex-soldier ventures into the Pacific Northwest to uncover the truth behind his fiance's disappearance.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
If you want to feel the rush, you have to take the risk.