A story about Fadil who fall into mafia world led by Taji Samprit and his son Wak Doyok. An incident causes Inspector Wahab and Inspector Shuib to suspect Fadil as Tiger, a professional assassin. In the meantime Yana who is a reporter that has done coverage on Tiger's assassination was stuck in the crisis that Fadil are facing. Though he is not a murderer, to solve the crisis Fadil lead the life as professional assassin and attack King Kong which is Taji Samprit's partner in crime who turns to become his enemy. Actions and comedies happen in Fadil's life as professional assassin in his way to clean his name and in finding Tiger's true identity. Can Fadil face all the challenges in his life? Who is Tiger and what mystery lies behind all this while?
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Marcel the Shell with Shoes On is the most human movie of the year. It is based on the 2010 short of the same name that follows a big-hearted, little shell named Marcel as he navigates through life in a human-sized world.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
How do zombie films shine new light in the post-Covid and post-Brexit era?
