Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

After getting released for serving a double life sentence, Sachidanandan returns to connect and live with his family until his past catches up to him, forcing him to protect his loved ones.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.