Is 'Queen Christina' a Queer Film?
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
Big Boy
Follows the famous Oryol trotter, multiple champion of the beginning of the century. Then - in sharp battles on the tracks of hippodromes - the fate of domestic horse breeding was decided. The world of animals and people is shown through the perception of a horse named Big Boy.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Follows the famous Oryol trotter, multiple champion of the beginning of the century. Then - in sharp battles on the tracks of hippodromes - the fate of domestic horse breeding was decided. The world of animals and people is shown through the perception of a horse named Big Boy.
Rating:
Genre:Drama
Written By:Aleksandr Zguridi, Nana Kldiashvili
In Theaters:
Box Office:
Runtime:92 minutes
Studio:Tsentrnauchfilm
Articles You May Like
The Best Shots of the Heavy Metal Documentary, 'The Decline of Western Civilization Part II: The Metal Years'
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
'Kizazi Moto: Generation Fire' - Mhkuzi: The Spirit Racer
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
The Accountant²: Brotherly Love and Neurodiversity
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.
'The Suicide Squad' Is Gory, Gratuitous, but Great
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
Just Mercy: An Admirable Picture
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.