Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

Bibi, Bobby, the snowman Gogo, the Santa Claus from Zaz, the robot R1 and the mysterious guardians of Zaz unite in order to same all of the music in the universe.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
This film’s ambition is betrayed by its lack of substance.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
Like most young people, Leviticus is imperfect. But I love it anyways.