Beyle Schaechter-Gottesman was a woman whose life and work bridged the old world with the new. Following in the footsteps of her activist father and folk singer mother, she dedicated her life to preserving and transmitting Yiddish language and culture. Her influence reached across continents until her death in 2013, and lives on in a new generation. "BEYLE: The Artist and Her Legacy" tells the story of Beyle’s rich life through archival recordings along with newly recorded oral history interviews with family, friends, and colleagues – in both English and in Yiddish. In keeping with Beyle’s multimedia artistic practice, we have translated her paintings and sketches into whimsical animations, and weaved her story through the tradition of oral history and into a film.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
A young boy who runs away from home discovers friendship when he befriends a young dragon in this animated movie.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
