Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Bewitched Love poster

Bewitched Love 

This tragic drama is based on the ballet by famed composer Manuel De Falla. A young woman is caught between the violent struggle of two rival suitors who love her passionately. Candelas (La Polaca) is pursued by kind-hearted Antonio (Antonio Gades) and the evil diablo Diego (Rafael Cordova). Lucia (Morucha) is the cryptic gypsy fortune teller, with Fernando Sanchez Polack as Candela's beloved father.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


This tragic drama is based on the ballet by famed composer Manuel De Falla. A young woman is caught between the violent struggle of two rival suitors who love her passionately. Candelas (La Polaca) is pursued by kind-hearted Antonio (Antonio Gades) and the evil diablo Diego (Rafael Cordova). Lucia (Morucha) is the cryptic gypsy fortune teller, with Fernando Sanchez Polack as Candela's beloved father.

Rating:
Genre:Drama
Written By:José Manuel Caballero Bonald, Francisco Rovira Beleta, José Antonio Medrano
In Theaters:
Box Office:

Runtime:103 minutes
Studio:Exclusivas Floralva Producción, Films Rovira Beleta

Articles You May Like


Short Film Review "Jamarcus Rose & Da 5 Bullet Holes" - Chasing ambitions, accepting guidance, finding brotherhood, and realizing the fragility of life

Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.

Kirk Fernwood

'Oxygen': Mélanie Laurent Helps Elevate a Familiar Premise

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Matt Geiger