“Pressure” Puts on the Pressure
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.

Avi Mograbi documents an Eritrean and Sudanese asylum seekers’ theatre workshop taking place in an immigration detention centre. In the process, he posits a flurry of questions: What leads men and women to upend their lives and embark on a journey into the unknown? Why does Israel, a country founded by and for refugees, refuse to consider the status of those who have fled war, genocide, and persecution in their native countries, as the mandated by the Refugee Convention? And are Israelis, who work with the asylum seekers, capable of walking a mile in their shoes and relating to their predicament?
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
It's sexy, regardless of what else is going on.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Korean culture shines in this Canadian export.