
In the 1970s, Dr. Alexander “Sasha” Shulgin significantly contributed to the development and psychopharmaceutical use of MDMA: a catalyst to personal doors entombed or unknown. His widow, co-author, and research partner, Ann—alongside friends, family, and colleagues—gives a guided tour of their life and laboratory, reflecting on how risks and revelations opened a world of compound enlightenment. Stippled with spirituality, sadness, and skepticism, the Shulgins’ chemical love story examines the power of psychedelic psychotherapy, sacred alchemy, and challenging the path of misunderstood resistance.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.