Michelle Payne Learns How to 'Ride Like a Girl'
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.

Kim Yeon Do (Lee Eun Jae) is a studious high school girl whose life is being made miserable by a boy from her past. Despite all of her efforts, she can't get peace as he won't leave her alone. So she hatches a plan. On her social media pages, she posts a picture of another boy, in the hope that this move will put an end to the irritation. But this move turns out to have unexpected consequences: It turns out that the boy in the picture is actually one of her schoolmates. Named Ji Hyun Ho (Kang Yul), he is a bit of a loose cannon. Although he is very popular, he dislikes studying - and prefers play. The rest of the school soon learns about the social media post, as news spreads fast in the classroom! This leads to a number of run-ins with ji Hyun Ho. But the more they get to know one another, the closer they get - causing yet further complications for a whole host of classmates!
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.
'Rag Tag' encompasses the diversity within the African Diaspora by showing London Nigerian men learning to regulate their emotions while navigating love and societal pressures.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.