A young man hires somebody to impersonate his father when it comes times to meet his girlfriend's parents.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
For one widowed father and his five kids, an extraordinary gift will change their lives forever.
