The sin of the past is the tragedy of the present. The year is 1953 and Gabriel de Dios, a man who lives a simple and happy life with his family, possesses the good half of a powerful amulet while Damian Buenavista, a black-hearted scoundrel, who intends to rule the world own the bad half. But Damians plan to take control of the world will not be successful without the other half from Gabriel. Damians plans, however, turn futile when Gabriels bertud, as the amulet is called, saves Gabriel and brings him to the year 2003. Gabriel thinks he is already safe from the greedy Damian... until he realizes the battle has just began.
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
A family drama is woven with quiet yet powerful forces of words and nature.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
