“Primetime” and Emptiness
This is not McDonald’s. This is something different.

Kari Wührer stars as a witch, who turns the king's son Barek into an immortal berserker. The enmity between Barek and the witch extends to the present day in his attempts to become mortal again and break Odin's curse.
This is not McDonald’s. This is something different.
The trainwreck is hot but tame.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.