François and Victor sell hard candy at the fun fair. They also bring up Gisèle, a one-year-old child they found by the side of the road. Although the two men are often at each other's throats they are the best friends, getting on well with the other fairground people. But when they defend Lisa, the fortune teller's daughter against Dédé, a thug who pesters her, they provoke his anger. Dédé sets fire to the two friends' stand and they are forced to take the road.
Fernand Rivers
Director
Fernandel
François Arnaud
Suzy Prim
Isabelle Grandville
Fernand Charpin
Victor Faivre
Fréhel
Bohémia
Jean Brochard
Director of the asylum
Rivers Cadet
Wrestler
Monique Bertho
Thérèse
Jean Témerson
Cafe customer
René Alié
Dédé
Édouard Delmont
'Courtepatte'
Monique Bert
Thérèse, Madame Grandville's maid
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
If you want to feel the rush, you have to take the risk.
The second season arrives over three years after its first. While late on arrival, most audience members will be happy.