Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

Set against the gritty, vibrant backdrop of Berlin, BERLIN LOOP tells the story of Fatma’s rapid entanglement with the city’s bike-theft mafia. Her meteoric rise to becoming the gang’s chief lock-picker brings initial success but quickly devolves into a perilous trap controlled by the gang’s ruthless leader. Fatma’s only escape lies in a mysterious portal she discovers in an abandoned countryside house, which sends her back in time to the pivotal moment before her first theft. Caught in an unrelenting time loop, Fatma refines her strategies, inspired by the Art of War, to dismantle the gang and reclaim her freedom.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.