The Season Three Finale of 'The Boys' Upholds Everything That Incluvie Stands For
The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content

Scully has forced Joe Collins who works on the Garcia ranch to give him information so his men can steal the family jewels. But the Rough Riders are on the job. Buck poses as a wanted outlaw to get into the gang, Tim as a cattle buyer, and Sandy is collecting information as the saloon janitor. As usual they pretend not to know each other. Written by Maurice Van Auken
The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
Dracula evolved from a person to a monster and then from a monster to a person.