The Phoenician Scheme: A Man of No Identity
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.

Filmmaker Alicia Dhanifu, who appears in director Jamaa Fanaka’s Emma Mae, constructs a rigorous and beautifully rendered history of belly dancing — its roots and history, forms and meanings. The filmmaker performs this art as well, alone and with other dancers. —Shannon Kelley
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
The Noel Diary is about a man who unlocks an old diary containing secrets of the past.