Netflix’s “Self Made”: What's Fact and What's Fiction?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

In Belle Epoque Paris, Georges Duroy, a handsome, ambitious but penniless young man, reunites with his friend Forestier, editor-in-chief of a major financial newspaper. Forestier manages to find him a position at the newspaper. With his friend's support, Georges does everything he can to climb the social ladder. He relies mainly on his undeniable charm to win the favor of influential women who can introduce him to the wealthy circles he covets. Georges benefits in particular from the support of Madeleine, the wife of the newspaper's editor-in-chief. His numerous conquests in high society soon earn him the nickname "Bel Ami."
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
The external threat invaded the domestic environment at the most valuable moment: grieving.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.