
Featuring a tour de force performance from Simon Callow, Being Shakespeare is a one-man show about the life and work of the world’s greatest playwright. Written by the renowned scholar Jonathan Bate, and taking its cue from Jacques’ famous ‘Seven Ages of Man’ speech in As You Like It, the drama traces Shakespeare’s life from his birth in Stratford-upon-Avon in 1564 to his burial there fifty-two years later. Weaving together this story with extracts from many of Shakespeare’s most famous plays, Simon Callow presents a vivid and very human portrait of the man and of the Elizabethan world in which he lived. Recorded before an audience during the play’s triumphant London run, Being Shakespeare is both a wonderful introduction to the author and a richly nuanced, funny and fascinating study for those who already love his plays.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.