“Come Play”: Creepy Concept, Lackluster Story
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.

Ryuji Otsuka and Huang Ji are the ‘main characters' in this very personal homemade documentary that's funny, angry, scary and stirring all at once. He's the Japanese director of the film; she's his wife and a prizewinning filmmaker in her own right. For independent artists and filmmakers, finding an affordable place to live with their young daughter is a never-ending struggle. A side effect of China's astonishing prosperity is sky-high property prices – about $10,000 per square metre in Beijing. The landlords, movers and neighbours they encounter seem bent on driving them nuts. But never underestimate the resilience, determination and lung power of enraged, protective young Chinese parents. Otsuka's sometimes concealed camera reveals intimately how life feels, from ground level, in urban China today.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
Based on the best-selling novel by Angie Thomas and a maxim of the late Tupac Shakur.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.