"Le Bonheur" and the Feminism of Varda
Effortlessly beautiful and surprisingly tragic.

The "Polish Poster School" is as widely known around the world as the Polish Film School. Beginning with the post-World War II era, the poster became a key tool for popular communication. In Communist times, the poster also offered colorful accents to an otherwise overwhelmingly gray public space. Ironically, during the 1950s, '60s and '70s (when several Polish graphic designers rose to worldwide prominence), the advertising of films was not a necessity. A frustrated and hopeless populace regularly relied on cinema for escape. It was in that time of massive unrest that artists like Julian Pałka, Jan Lenica, Roman Cieślewicz and Henryk Tomaszewski created the most expressive and unique images of the form. Marcin Latałło's lauded documentary film is a double-layered construction, telling both the story of the movement and, in parallel, following the footsteps of Ania, a young designer who faces an extremely tricky challenge: she must create a poster for the film itself.
Effortlessly beautiful and surprisingly tragic.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.