Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

On the outside it looks like a marriage made in heaven. But inside the thick walls of what they call home theirs is a relationship waiting to crumble. They have been waiting a child for so long but the wife does not have the capacity to bear a child. And when her husband cannot take it any it any longer he decides to end his misery once and for all.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.