‘Moxie!’- Amy Poehler’s Attempt at Feminist Film
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.

One day, the beggar empire of Chao Pho Ngo is thrown into turmoil when the Tai Ko beggar gang attempts to overthrow his operation and murders one of his men. Chang, Chao Pho Ngo’s most skilled beggar, rallies the others to launch a decisive attack against the Tai Ko group— even if it means killing one another to the last.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.