Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

The story is told using non-linear flashbacks during the court case that determined her fate, giving us a detached and non-judgemental portrait of Nina, a lonely child of a carefree single mother. Having never had a father figure, she seeks affection through older men before she falls in love with a younger man called Sergio, an apprentice under her husband Miguel. The film highlights various episodes from her life, culminating in the murder of her lover, and the apparent cannibalism that follows.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.