Beautiful "Materialists" Can't Quite Find Its Footing
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.

From the very first bars of the Coriolan Overture, it is apparent that this is Beethoven at his very best. Vladimir Jurowski and his absolutely brilliant Orchestra of the Age of Enlightenment give us a new reading of old favorites that may well blow you out of your chair. There is plenty to discover: sounds and textures never heard before, an orchestral timbre as the composer himself may have envisaged and heard, incredible strength and cohesion and, on the other hand, sensitive nuances that often disappear under a blanket of massed strings in more traditional interpretations.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
Spoiler Warning
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.