'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Mumbai-based Saxena family consists of Professor Nirbhay, his wife Preeti, their school-going daughter Ritu and Nirbhay's college-going brother and sister, Vijay and Suman respectively. Vijay meets with fellow collegian Honey, and after a few altercations, they fall in love with each other. Vijay is introduced to Honey's maternal uncle, Bhagwandas, and he approves instantly. Honey's long-estranged brother, Kanhaiya, re-enters her life and asks her not to see Vijay anymore. Then the lives of the entire Saxena family change drastically when money allotted for Suman's marriage is stolen, and Vijay accepts a contract to kill a man named Gulla - not knowing that he is being set up to kill none other than Nirbhay himself.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.