“Madeline’s Madeline” and the Exploitation of Actresses
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.

Three brutal murders are committed in a house in a quiet suburb. The victims are a former police officer, his wife and their 10 year old son. The Beck group takes on the case and find that there is a hidden security room in the victims’ house, containing stolen weapons. They find fingerprints from a criminal who was involved in a robbery 4 years ago. After the robbery, he shot his accomplices and disappeared without a trace, along with their haul of 6.3 million. The question is how the former police officer ended up with the weapons and how is he connected to the thieves? The case wakes strong feelings at Police Headquarters and takes highest priority.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.