"Backrooms" Succeeds
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.

Smooth, successful, and yet so conflicted, Tony Nkosi is trying to work through his inner turmoil where cultural and familial expectations conflict with emotional and physical needs. He tells his shrink, Dr Stacey, that he doesn't date men, and yet he can neither let his shag-buddy Thabo go nor give him the emotional commitment he needs.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
'Prey' is the seventh edition of the Predator series and offers a new take on the iconic hunter and an amazing representation of Native Americans.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.