It Goes all the Way to the Top: Motherless Brooklyn
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

Our sexalicious search for the 'great, dark man', leads us to burly, hairy master Delta Kobra and his willing, sinful sub boy – Timmy Treasure. Timmy takes a spin on the leather wheel of misfortune and gets his arse well and truly fucked. Handsome business men Race Cooper takes on the well hung, naked chef – Jay Roberts. Race bends over the kitchen counter and spreads his hungry hole for Jay's uncut meat, this handsome lad gets his hot buns well and truly buttered and creamed. Manly bi builder – Guillaume – doesn't mind being watched, especially when those spying eyes belong to stunning hunk - Josh Milk. Josh is a horned up buck who can take a hard fucking like a man. Then we're back into the dungeon for a proper English gent with a cruel twist – Kingsley Rippon, takes insatiable Spanish Guapo – Martin - in a sling, slamming right up to his heavy balls in Martin Mazza's hot, gripping hole!
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
The second film takes us on Peter's journey to be understood.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
This 2023 film serves as the final chapter of the Indiana Jones franchise.