Beatrix Farrand's American Landscapes (2019)

People are so much deeper and far more extraordinary than what gender they were assigned at birth.

The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?

For one widowed father and his five kids, an extraordinary gift will change their lives forever.

The film illustrates the life of a single who struggles to provide an ideal childhood for her two daughters.

How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?