In BEATOCELLO's UMBRELLA, award-winning director Georges Gachot tells the story of Beat Richner&emdash;pediatric M.D. author, illustrator and concert cellist; from his coming-of-age in Switzerland, to his street performances as a young medical student in the persona of the clown Beatocello; to his founding of five children's hospitals in today's Cambodia. Revered as a national hero, Richner's Herculean efforts have saved the lives of millions of Cambodia's children over the past 20 years, some who have grown up to serve as doctors in his state-of- the-art pediatric hospitals. Now at 64 , Richner continues to practice medicine and travel the world concertizing and singing about his protective red umbrella, which has come to symbolize the health and hope he brought to a grateful nation. Unlike many of his contemporaries who held utopian world views, Beat Richner is one of the few who worked to made his vision a reality.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
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The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
